Archive for ‘Creative Process’

Doing My Homework

February 17th, 2010

I’m slowly making my way back into keeping a regular journal, working at it from different directions. The gluebooky way above in which I slap on some gesso and glue down things that seem to want to go there. I’m also keeping a journal of my year of change, trying to figure out if synchronicity is working in my life, if what seems to be chance is really a harbinger or messenger of change. I’m thinking about what happens in my life every day to see if I can find instances of change at work or if I’m taking steps myself to prepare for change in this transitional phase of my life. The other journal I’m keeping is the one-sentence-a-day diary proposed by Gretchen Rubin inĀ The Happiness Project. I’m writing that one in the littleĀ 5 Year Diary by Tamara Shopsin. Oops and I forgot…Fridaville is being redesigned with some fun things planned like weekly “Postcards from Fridaville” sent out to people who sign up for them, so I’m keeping a journal of ideas on that. All in addition to my day job, for which I have a Skirt! Magazine notebook to keep me focused on coming issues. Just writing all of that down makes me feel unfocused and crazy — should I just have one notebook that all of this goes into? The separate ones seem to help me keep my different roles and goals separate, but I don’t know…maybe I’m just spinning my wheels. And I don’t want one of those 5-subject spiral notebooks from school because they make me think of warm cafeteria milk and math assignments I never finished. Big shiver down my spine just imagining it. How do you keep track of all your projects?

My Word for 2010

February 7th, 2010

…is Change. I veer between thinking that change is inevitably bad or that I’m too old/comfortable/sensible to change. That the house of my life is framed in, dry-walled, insulated and picket fenced. As it should be after years of trying to get to just that state. All the years of not being able to pay the bills on time, of owing the IRS, of driving crap cars, of career ups and downs, of crazy self-drama and unbridled emotionalism, of cobbling together a living until I accidentally hit on something that became a sweet little success. Why would I court Change? Especially when I’m convinced it always means someone leaving, something ending, something falling apart. Early sorrow teaches you to lowball your expectations. So this is my year to sidle up to Change with a carrot in my hand and make peace with that wild unpredictable beast. What if Change means someone new comes into my life. What if Change means an unexpected new beginning or project or talent? What if Change means me letting go instead of hanging on? What if I start dismantling my old ideas about Change? I figure there’s a 50/50 chance of Change being positive, so I’m going to work the odds and envision my 17 year old self getting on an outbound bus again without a clue to the destination. What’s your word for 2010?

Weak or No Signal

January 26th, 2010

It’s very quiet here tonight in Fridaville because I accidentally hit some invisible Darth Vader button on the side of my flat screen TV that made it go haywire. I can’t turn it on or off — it’s in TV limbo — and no matter what buttons I push, I get the message above. So who do you call when your TV has a mental breakdown? It used to be a TV repairman, but they are as extinct as the wooly mammoth. The next option is to set up an appointment with Comcast and take half a day off work waiting for them to arrive. “Oh that’s okay, I have a trust fund and nothing better to do, so I can leave work and hang around waiting for your guy to show up within the allotted frame of time–or not.” Or the other choice, after stomping around, changing batteries in the remote (which I had to steal from my vibrator) and feeling the blood pulse in my eardrums, is simply to do without TV for awhile. Maybe the “weak or no signal” is my signal to read, write in a jounal, work on storyboarding a little movie, clean out a desk drawer, take a walk when it’s warmer, visit a friend on Thursday to catch 30 Rock, make soup, draw, listen to the silence, play some moody Miles Davis, put a 30 minute hot oil pack on my hair, take a photo, order something extravagant online, watch Hulu.com or an instant-play Netflix movie, write a haiku, put the batteries back in my vibrator, glue something in my journal, call my daughters, load cds onto iTunes, take a Lynda.com online class, exfoliate. I grew up without TV, but we had stories to tell in front of the fireplace, corn to be popped over the coals, sparks to fly and the dozy comfort of firelight instead of HDTV light. I can’t get that back, but maybe I can light some candles, tell myself some stories and bring a little of that slow winding down into bedtime back into my life. I don’t think it will be easy because I’m a thoroughly gadgetized, mechanized product of my era. I want my HBO, Bravo, Law and Order and Turner Classic Movies running while I blog or email. I’m already uneasy, unsure of what to do with myself, antsy, angsty and on edge. I kind of like it.

Deer in Headlights

January 25th, 2010

I was terrified about presenting a slide show at our local Pecha Kucha … 20 slides, 20 seconds each so you have only that tiny slice of time to make your point. You can view mine by bringing up the You Tube video on the sidebar–it started off a little rough but picked up speed and went over well. It was a sold-out house — 350 people — and usually I panic in front of a crowd. But this time I overprepared, rehearsed the narration a million times, had a friend give me feedback and kept tweaking it til two hours beforehand. Rehearsing it out loud over and over helped me almost memorize it, but the best part was the slide show because it anchored me and calmed me (in addition to the beta blocker I took beforehand!). It made me realize how, although I’m no artist or photographer, having a visual component to my writing is so exciting and inspiring to me. I loved “storyboarding” my ideas in a primitive method of using a desk blotter monthly calendar and filling in the squares with my ideas for each slide. Then moving the slides around and timing and editing the script was incredibly satisfying in a different way than writing is for me. The whole process opened so many doors in my brain. As soon as I can conquer Keynote and iMovie, I want to take a digital storytelling workshop and make a little 3 minute “movie-ette.” Not for any particular reason but just to tell a story in a different way. It makes me sad that in the past I’ve said a mental “no” to things I’ve wanted to pursue because I didn’t know enough or couldn’t be the best at it or thought it wasn’t worth doing if I couldn’t make money at it. What have you been postponing out of fear or inertia or perfectionism?

Report from the 3rd Eye

January 20th, 2010

This chakra connects you to your sense of intuition, or Inner Guru. A bindi placed in the middle of the forehead reminds you to tap into this higher power. As a native of Kentucky, I’d feel kind of fake displaying a bindi in public, but at home, it might remind me to trust my Guru Girl, to listen to her when she tells me:

- If he never takes you out in public, he’s someone you should be ashamed of.
- as Gretchen Rubin writes in The Happiness Project, the actions of love are the proof of love.
- true friends don’t ditch you for a guy … they let him come along when you go out.
- Your best friend is always your designated hitter, designated driver and designated spokesperson in case of a family tragedy. Class acts don’t bare their souls to Ann Curry.
- You don’t have to go home again.

This is my 1961 high school graduation photo, and I look pretty confident. Big smile, sassy pixie haircut, Brooke Shields eyebrows. Ready for the adult world, ready to move on. But I wasn’t. I was 17, kissed too many times, not many options left in my own mind. I was timid on the outside, tumultuous on the inside. I didn’t fit anywhere. Fast forward to 2010, and I’m in a bar tonight for my regular Tuesday night meeting with my creative friend, and Miss 17 shows up, all “I’m so scared and stupid” on my bar stool — because I have a biggish public presentation to make next week, so she’s freaking out. As she so often does when I’m ready to throw in the towel. Tonight, though, I’m scooching her over on the stool (not kicking her to the floor because she’s also my gentle, empathetic side, which I can’t live without) and sharing my backbone with her. A backbone that I often deny having (“oh I’m not worthy, I’m so small and insignificant”) — but isn’t that just a way to avoid taking responsibility for my accomplishments? A way to prepare myself and others in case I fail? Because I’m so sensitive to criticism? I’m annoyed — no, I’m mortified — that I refuse to take kudos for what I achieve and responsibility for when I fail. That I so often try not to try. Dear Miss 17, let’s do it.

Bridge to the Weekend

January 8th, 2010

Oh darling Friday! I love the relief you give me of work well done for the last five days, your red wine and chocolate, your promise of pajamas and fuzzy socks, your 2-hour special on Elvis so lost and broken, your twinkle lights turned on outside, your command to stop thinking about exercise missed or opportunities lost, your promise of a completely unelevating novel waiting on the bedside table, your tantalizing come-hither murmur of all the work I can get done on Saturday or Sunday but not tonight, your time out from duty and must-dos. Sweet Friday, if only there were two of you a week.

The Tuesday NIght Club

January 5th, 2010

I love Tuesday night drinks with my creative companion. We meet once a week “To talk of many things: Of shoes–and ships–and sealing-wax–Of cabbages–and kings–.” Tonight we discussed our feelings about our mothers, our love of textiles and embroidery, travel, living more boldly, books we’ve read, dinner parties, cosmetic surgery (should we? should we not? should we waive judgment on friends who have? do dyeing your eyebrows count?) and blogging. Somehow, meeting once a week in a setting divorced from our “real” workaday lives makes it easier to expose our deepest selves. Tonight we agreed that 2010 should be a high voltage year for both of us. My first step: finding a flat to rent in London for a month this summer. I’m afraid to put my hand on that live wire, but how can I resist that dare I’ve made to myself?

Things to do in 2010

January 1st, 2010

1. Buy a black leather biker jacket.

3. Take yoga seriously. Yet again.
4. Create a map of Fridaville. Include a Champagne bar.
5. Unpack my suitcase the day I get home from a trip.
6. Learn the lyrics to “Accentuate the Positive” by Johnny Mercer & sing it every morning.
7. Master making the “r” sound in French.
8. Stop checking the Dow and study the Tao.
9. Invest in Forever stamps.
10. Upgrade to 1st class whenever possible and stop apologizing for it.
11. Once I take yoga seriously, design my own mat at Yogamatic.com.
12. Wear a bathing suit when I play Wii synchronized swimming.
13. Fall in love and elope. Wait–I already did that once and it ended in tears.
14. Accept that I’m a poodle ,not a working dog, and stop feeling guilty about it.
15. Dress on the outside the way I feel on the inside.

Brand-New Vintage

December 29th, 2009

I found these shoes at Urban Outfitters and what I love about them, aside from the cheap price, is that they look broken in and beamed here from a more romantic era. As if they were worn by Zelda Fitzgerald in a night of mad dancing and packed away and stored in a trunk in an attic until they showed up in a Paris flea market decades later. As if they were danced in all night, leaving a trail of sequins behind on a snowy street in Montmartre, like breadcrumbs the owner’s lover would follow to her garret apartment overlooking the rooftops of the city. As if they were left behind during the German occupation of Paris, shoved to the back of a closet by a fragile Audrey Hepburn look-alike in her haste to flee to London, where she worked on the Enigma decoder until the liberation. As if they were handmade for a famously reclusive ballerina, lined with linen and lavished with sequins to match her legendary amber eyes. Every time I put them on, I’m imagining another life I could have lived, a path those shoes could have taken.